Tired Musings (The Give and Take of Trying to Be an Artist Sometimes)

Those of you who have been reading my blog lately will know that in a week’s time I will be performing in a show called Troika! at the Little Mountain Gallery at Main and 26th. I’m also working my Real Job and taking an Early Modern Literature class at SFU.

This means that right now I am running around with my head cut off and trying to take deep breathes and go to sleep sometimes. I spent every free moment last week painting props for Troika! while listening to The Essential Leonard Cohen and trying not to go insane. It’s probably a little too late for the attempt, but I do feel as though this level of insanity is at least manageable. It also made me want to make lists!

Things I will give up, put off, or forgo to get to be an artist sometimes:

  • Sleep
  • Hanging out with my friends (sorry guys, I’ll see y’all after the second week in August or so)
  • Cleaning my apartment (if you know me well or have ever lived with me you’ll know this hurts me)
  • Wearing clothes that match, or, you know, are clean
  • Reading my Maclean’s magazines (this one really hurts too–I’m so uninformed nowadays)
  • Doing my hair in a style that isn’t “pony tail” or “bobby pinned”
  • Sanity and dignity. M’h. They’re overrated.

My apartment is not supposed to look like this! (Prop design by Sonja Kresowaty, painted by me)

Things I will NOT give up, put off, or forgo to get to be an artist sometimes:

  • Some degree of financial stability (this means I work a Real Job, but that’s okay, it’s a good one)
  • My family (have you ever heard that “show must go on” hypothetical to gauge how serious about theatre you are, the one that goes “Would you skip your mother’s funeral if it was the same night as opening?” Well I have. And the answer is no. I wouldn’t.)
  • Eating. I once lost 6 lbs. in three weeks while I was directing, because I was too busy to buy groceries or to eat. Which is pretty extreme for me. Lesson learned.
  • My health. Headaches, sore throats, and nausea are pretty normal for me during a show, but illnesses I have come down with while being theatrical include pink eye, shingles, and H1N1 (though luckily quite mild –and this is when I’m trying to take care of my health).
  • Hygiene

At the moment, the two things I’ve noticed giving up the most are sleep and cleaning my apartment. I was already getting a little too busy to give the place the thorough cleaning I would like, and the frantic making of props did not help. It makes me mentally and emotionally irritated to exist in a mess but since it can’t be helped, well, I guess that’s that. I’ll live.

But I just want to sleep. Oh my god, I just want to sleep. I want to put my head on this desk right now and sleep and sleep and sleep. I want to go home, make a cave out of my duvet and pillows, crawl inside, and emerge two days later, feeling refreshed enough to move to the couch, read a magazine, and have a nap. And then when I was feeling more energized, maybe I’d go to my TC’s place and nap in his hammock chair. Quality time. You know how it is. Always some new place to curl up and sleep a little.

Finally finished at 1:30 am. Say hello to my new friends!

But I can’t. Not just yet. I’ve got another two weeks or so of mayhem. Good mayhem. The kind of mayhem that doesn’t let me sleep or scrub the bathtub but does let me work with my friends. The kind of mayhem that lets me paint props (which was actually really fun) and sing along to Leonard Cohen. The kind of mayhem that means next week I will be performing on a stage with my friends, sharing our stories with old friends, new friends, and strangers alike. That kind of mayhem. The kind of mayhem that says life is bigger and deeper and brighter than the cycle of work-home-eat-watch TV-drink on weekends-work-home-TV, etc. that is so seductive if my mind and my body aren’t active. There’s no mayhem in that cycle, but it’s not relaxing, it’s soul-draining.

So I’ll resist the call of my duvet and scummy bathtub, take rain checks on plans with my friends for a couple more weeks, try to stay focused, take my multi-vitamins, stay cheerful, and do the best work I can. I know my fellow Troika!-ers are feeling just as tired, just as scattered, and just as excited.

If you would like to see Troika! and its double-bill other half, The Troubles (presented by Resounding Scream Theatre), the show will run August 3-7 at the Little Mountain Gallery. Tickets can be purchased in advance at Brown Paper Tickets.

If you have any questions regarding this production, please contact Gina Readman, Production Manager, at troika.thetroubles@gmail.com.

Poster design by Arthur Yee

The Claw Hands: Chilly Memories of Adolescence

For those of you not in Vancouver this summer, let’s just say it’s been disappointing. And by disappointing, I mean it’s been cold. Yesterday was my office BBQ. Last year I got a sunburn. This year I got claw hands.

“Claw hands” is the term I use to describe what happens when my hands get so cold and stiff they curl into useless frozen claws. After a freezing cold staff BBQ (can’t blame the organizers, I’m sure they thought mid-July would be a lovely time for an outdoor lunch), they weren’t much good for typing or handwriting or picking up telephones or anything else I do at work.

Poor me.

Illustration of me with claw hands by Sonja Kresowaty

I have very poor circulation and claw hands are a fact of life in cold weather. My first memory of the joys of claw hands comes all the way from autumn 1998: I was 12, Will Smith’s “Gettin’ Jiggy With It” was played at all the junior high dances I was FINALLY old enough to go to, and I was involved in the only sport I was any good at: running.

In Saskatchewan, the cross-country running season begins in September and ends at the very end of October. The first couple of meets are generally quite nice and the rest of the season is pretty chilly. One particular meet that fall was held north of Meadow Lake, a meet most of us didn’t look forward to because it’s really hilly north of Meadow Lake  (let’s just say I’ve never ran on this “meadow” they’re talking about) and it was always cold.

I have an old photo somewhere of me at the starting line for that race and I’m sure I thought I looked pretty good. I was wearing a Buffalo Jeans t-shirt (with an @ symbol instead of the “A” in Buffalo, very edgy) and, the pinnacle of Saskatchewan athletic wear, Husky Athletics sweatpants. Anyone who grew up in Saskatchewan will understand why I could possibly have thought huge green ankle-biting sweatpants made me look cool. They were Husky. HUSKY. And maybe on anyone else, they would have looked just dandy.

The thing you must understand about me in 1998 is that I was a 12-year-old who did not yet weigh 100 lbs. I was long and bony but there was not a hip or a curve to be found. Certainly nothing that could really hold up a baggy pair of sweatpants. I made good use of the drawstring and hoped for the best. Sweatpants or no sweatpants, I’m absolutely certain I was already freezing before the gun went off, it being a typical grey autumn day in Northwest Saskatchewan, but I guess I assumed I would warm up during the 3km race.

And most of me did. A little. But not my hands. After the first 800m or so I knew it had been a big mistake not to include gloves (or better, mittens) in my stylish running ensemble. My hands were freezing. I tried to shake them out. I tried to rub them together. But they were balled into little fists of ice, so cold they HURT, and there was nothing I could do about it.

It doesn’t mean I didn’t try. During the course of the race I came up with two excellent solutions to my problem: one solution was to plunge my hands down my pants. Unfortunately, running with both hands shoved into the front of your pants is hard (try it sometime). The feeling of two cold hands suddenly being planted against my warm thighs was also a rather horrid shock to the system. My actions served to loosen the drawstring in my sweatpants and caused my pants to begin to fall down.

I remember striding past one of the checkpoints, hands completely hidden in my pants, and I have a memory of the image of a school-aged boy, a volunteer, standing at the checkpoint with a look of shock and total confusion on his face. I suppose I should have been embarrassed, I suppose now I must have looked like some sort of adolescent pervert, fiddling away in my pants on a running course, but I was too excruciatingly cold to care.

Once it became clear that the “pants solution” was slowing me down (and was ultimately not that effective) I moved on to solution two: I shoved my hands in my mouth. They took turns obviously, one at a time through the rest of the race. It’s a good idea when you think about it: my mouth was probably the warmest place on my body at the time, and with a little effort I could get at least half a hand inside.

Actually, no, of course it’s not a good idea. Once it was time to switch hands, the hand that had been in my mouth was now wet in addition to being cold. Since my hands were totally frozen stiff at this point (claw hands!) they were quite difficult to manoeuvre and fit into a mouth I was also trying to use for heavy breathing (since I was running a 3km race on hilly terrain and all).

In addition to my cold hands and falling down pants, my hand-in-mouth solution created a third condition for me to contend with. Due to the cold, my heavy breathing, and my constant shoving of my hands in and out of my mouth, my lips chapped and began to bleed.

This is pretty much what I look like running. Illustration by Sonja Kresowaty.

I can only imagine what my dad must have thought as he saw his middle daughter approaching the finish line (finally!); panting, pale and purple-cheeked, pants falling down, blood on her lips and hands, and, of course, the aforesaid hands curled into raptor-like claws, extending rigidly from my bony arms.

I don’t even remember crossing the actual line and having my placing number written on my hand. I don’t even remember if I gave my name to the helpful folks at the officials’ table. I ran straight for my father.

Dad: What HAPPENED?!

Me: (crying and blubbering through my bloody lips) My hands!

Dad: Oh Lauren. Why didn’t you wear gloves? I told you your hands would get cold.

Me: (still blubbering) I didn’t think it would be SO. COLD.

My dad tried to put his gloves on me at first but my hands were too stiff to uncurl and fit inside. He took me to the van and turned on the heat and I spent a heavenly afternoon with my hands on a radiator.

And THAT is the story of claw hands. And THAT is why I don’t care when people laugh at me for wearing gloves in April. If I had had gloves with me at yesterday’s staff BBQ, I would have worn them. Claw hands are not to trifled with. You never know when you’ll end up with falling down pants and bloody lips.

THE END.

Summer Double Bill: “Troika! / The Troubles”, August 3-7

poster by Arthur Yee

It’s a summer theatrical double bill extravaganza! This August, Some of the New Bees are proud to present Troika! as a double bill with Resounding Scream Theatre’s The Troubles at the Little Mountain Gallery off Main.

Before we go any further, SHAMELESS PLUG ALERT: I will be performing in this show. Some of the New Bees is an ad hoc theatre grouping borne of the 2009 Fringe Festival piece, Hive: The New Bees whose members change depending on which new bees are participating in any given performance. This summer, Some of the New Bees will be presenting Troika!:

Weaving together folktales, memoirs, history, and pop culture, Troika tells the story of growing up Ukrainian Canadian in Western Canada. With cast members hailing from the big city of Vancouver, the suburbs of Edmonton, and a small town in Saskatchewan, Troika uses elements of music, movement, and storytelling to take a sometimes poignant and sometimes humourous look at what it means to celebrate culture and heritage two generations removed from the motherland. Troika is created and performed by Aliya Griffin, Lauren Kresowaty, and Natalie Schneck.

Troika! - Photo credit: Sean Griffin

I’m in a play! Fancy schmancy! After almost nine months of being a theatre artist talking the talk in this blog, I am very excited to be walking the walk and treading the boards at Little Mountain with my friends (and fellow SFU Contemporary Arts alumni). This is the first time I have explored my own childhood and family history as a performer onstage. The three of us began this journey almost a year ago and even in the midst of frantic rehearsing and prop making we are eager to share this experience with an audience.

I am also very excited to be part of a double bill production with Resounding Scream Theatre (also friends), and their original one-woman play The Troubles, which will be travelling to the Victoria Fringe Festival (August 25-September 4) and Fringetastic in Nanaimo (September 8-11) after their Vancouver run:

Resounding Scream Theatre presents The Troubles
Written and Performed by: Stephanie Henderson
Directed by: Catherine Ballachey
“What would they call you? Not your name, love, your side?”
Based on personal accounts of the conflict in Northern Ireland, The Troubles is a thought-provoking show that draws upon the voices of five distinct characters to explore questions around community, morality, and loyalty. A boundary-pushing story of love and violence, The Troubles speaks that which has been forgotten.

The Troubles - Photo credit: Everett Jelley, The Jelley Photography, http://www.thejelley.com

Whether you want to enjoy a night of original theatre, support local artists, visit East Vancouver, or just watch me and my friends engage with our cultural roots, I look forward to seeing your shining faces at Troika!/The Troubles.

Troika!/The Troubles runs August 3 – 6 at 8:00 pm. Matinee performances will be held at 2:00 pm on Saturday, August 6 and Sunday, August 7.

The venue for the production is the Little Mountain Gallery, 195 East 26th Avenue (just off Main).

Tickets for Troika!/The Troubles can be purchased online at Brown Paper Tickets (recommended).

If you have any questions regarding the production, or mobility (or other) concerns regarding the venue, please contact Gina Readman, Production Manager, at troika.thetroubles@gmail.com.

Wreck Beach Skinny Dip 2011: Nifty Gets Nude

Wreck Beach: Forgot your swimsuit? That's just fine.

I had never been skinny dipping before. I had always imagined my first skinny dip would be some romantic or scandalous affair out at a mountain chalet, stripping off in the dead of night and slipping unseen into some glacial lake (I guess in my imaginings I was a wealthy and influential woman with access to a chalet), or perhaps a nice dunk in my birthday suit with a few inebriated friends at a lakeside cottage in the dark.

I never imagined I would be skinny dipping for the first time in the glaring light of day with 625 other naked people, but on July 2, that’s exactly what I did: stripping down to my nothings for the 2011 Wreck Beach Skinny Dip. (My TC and a spunky gal pal joined me, meaning I only had to expose my naked self to 623 total strangers.)

The Wreck Beach Skinny Dip is an annual event organized by the Wreck Beach Preservation Society (WBPS). This year, for each skinny dipper in the water, an anonymous donor pledged to donate $2 to the WBPS. As I was leaving the beach, an organizer told me the donor had decided to up their donation to $5 per bather. I was also told that the Notary Public enlisted for the occasion had counted 626 naked bathers this year, meaning we handily beat last year’s record of 489 (and my bum was among ’em!). Considering this and the gorgeous sun we had that day, I would call the WBPS’s bare-naked event a success.

Judging by their website, it seems the mission of the WBPS centres around two main concerns:

  1. Preserving the natural beauty of Wreck Beach and preventing or lessening hazards to its environment.
  2. Preserving the right of visitors at Wreck Beach to enjoy the beach au naturel, and taking action and voicing concerns regarding development in nearby areas or changes in legislation which may make this right unlawful.

No gawking!

I was introduced to Wreck Beach only this spring by my TC, and I must say that since my first visit I have been completely in love, forsaking all other Vancouver beaches, forever and ever. Here’s why (in another numbered list!):

  1. The beach is huge, and beautiful. Bald eagles soar over tree-covered cliffs, and on clear days you can see the mountains of Vancouver Island.
  2. Wreck Beach is quiet. It’s a long hike down from the road, but it’s worth it. Once on the beach, there are no cars or buildings within sight or earshot. The loudest sound you’ll hear is the lovely group of musicians who seem to favour the Police and the Beatles, playing their guitars (and trumpet!) with the kind of gusto you can only really find in people who are doing what they love, TOTALLY NAKED. When I’m lying in the sun at Wreck, I’ve completely left the city behind, and I’ve never been so relaxed.
  3. I get to sunbathe topless. That’s right, I said it. Totally topless. IT’S GREAT. The greatest part is that I can be topless or naked and nobody cares. Unlike Vancouver’s other beaches which seem to be covered in hyper-sexualized teenagers in teeny-weeny gold lamee American Apparel bikinis, at Wreck Beach, no one cares what you’ve got or what your body looks like. The beach is clothing-optional, not courtesy-optional, and gawking at others or making comments is discouraged (read WBPS’s Beach Etiquette to find out how you can be nude, not lewd). I feel less exposed naked at Wreck than I do in a swimsuit at English Bay.

2011 has so far been a year of discovery for me; a year of discovering BC and especially of discovering Vancouver, my adopted home. The relaxed, conscientious, and accepting atmosphere at Wreck Beach is a wonderful representation of the spirit of this city and I sincerely hope it will continue to be so.

And now for a poll! I used to think nude beaches were weird, and now I think they’re great! Your thoughts?

P.S. If you’re wondering how the water was on July 2, it was effing freezing. But so refreshing.