The Troika Collective Presents Belarusian Dream Theater Vancouver

Poster design by Liam Griffin

Poster design by Liam Griffin

On Tuesday, March 25, The Troika Collective, in association with Ensemble Free Theater Norway (EFTN), will present the Vancouver iteration of the Belarusian Dream Theater project in Studio 4270 at SFU Woodwards.

From the announcement of the project in the Belarusian Review:

Belarusian Dream Theater [is] an international performing arts event supporting freedom of expression in Belarus, conceived by Brendan McCall, Artistic Director of EFTN.

On 25 March 2014, Belarus’ Freedom Day, partner theaters will present readings and/or performances of new short plays about Belarus simultaneously in Australia, Belarus, Denmark, Canada, Georgia, Germany, Greece, Hungary, Italy, Norway, Poland, Ukraine, and the United States.

[…] The hope is that this coordinated cultural event will stimulate a greater knowledge and interest in Belarus by international audiences, journalists, and artists.

So why is it important to know about what is happening in Belarus? Before becoming involved with this project, I must admit that I had not thought about Belarus in a long time (perhaps not since passing through it on a train when I was ten years old). I have, like many people, been keeping an eye on the political situation in Ukraine. Meanwhile, news from Belarus has been comparatively quiet.

As it turns out, that is because the Belarusian government has, for many years, severely restricted independent expression through a combination of legislation, intimidation, and force. Based on information from Amnesty International, the protests that have rocked Ukraine in recent months would likely not be possible in the political climate of Belarus today, especially given the country’s “Law on Mass Actions”:

In 2011 weekly “silent protests”, where groups of people throughout the country would stroll wordlessly, applaud or use their mobile phone alarms simultaneously, saw participants beaten, sentenced to administrative detention or fined.

The largest demonstration in the country’s recent history, following the presidential elections in December 2010, was suppressed with unprecedented violence. When police moved in to disperse it in the centre of the capital Minsk over 700 people were detained and many, including by-standers, were beaten and wounded. Four prisoners of conscience Mykalau Statkevich, Pavel Sevyarynets, Eduard Lobau and Zmitser Dashkevich remain in prison in connection to the demonstration to this day.

[…] Peaceful protesters are frequently sentenced to fines or short periods of detention for violating the Law on Mass Actions or for minor offenses such as swearing in public. Pavel Vinahradau, a member of the youth political movement Zmena (Change), spent a total of 66 days in detention between 30 December 2011 and 12 December 2012 on eight separate administrative convictions, all for minor offenses such as swearing or violations of the regulations for public meetings and pickets.

And it isn’t only protesters who are finding their freedoms of expression curtailed. Citizens wishing to join or create an independent organization (for support, to express an identity or opinion, etc.) must be sure the organization is registered with the government and meets the government’s strict registration requirements. Activists who have been deemed to be acting on behalf or as part of an unregistered organization face prosecution.

So where does Ensemble Free Theater Norway, the Belarusian Dream Theater playwrights, The Troika Collective, and the rest of the companies participating around the world come in? Well, though many of these plays could not be performed in Belarus (or at least not without considerable risk), they can be performed here in Canada, our actors and directors can speak without fear of reprisal, and we can listen. We invite you to join us for an evening of theatre, music, and hopefully, social good.

The Vancouver performance of the Belarusian Dream Theater project will take place on Belarus’ Freedom Day, March 25, at 8:00 p.m. in Studio 4270, SFU Woodwards. Admission is by donation (though no one will be turned away for lack of funds), with proceeds benefiting the Troika Collective’s operations. If you wish to support free expression in Belarus, proceeds from the sales of the plays being read/performed around the world as part of this project will go to Amnesty International. You can also make a direct donation to Amnesty International online at Amnesty.ca.

Disclosure: I am the co-artistic director of The Troika Collective, along with founding co-artistic director Aliya Griffin. The Troika Collective is a registered non-profit.

The Troika Collective Presents “Chernobyl: the Opera”

Poster design by Arthur Yee

Poster design by Arthur Yee

From May 14 – 19, the intimate Carousel Studio Space on Granville Island will play host to stories of the Chernobyl nuclear disaster. The Troika Collective‘s Chernobyl: the Opera, conceived and directed by Aliya Griffin and composed by Elliot Vaughan for accordion, cello, and seven voices, weaves physical precision and haunting melodies together with verbatim text taken from interviews with survivors of the disaster. The results are at once poignant and strangely beautiful.

If you’re wondering if you’ve heard of Chernobyl: the Opera before, it’s probably because you have. A shorter iteration of this piece was performed in last year’s Hive: the New Bees 2 to critical praise. The Georgia Straight’s Colin Thomas was impressed by composer Elliot Vaughan’s “sophisticated score” and called the piece’s execution “terrifically precise” (Georgia Straight theatre reviews, May 25, 2012). Following the success of New Bees 2, Griffin and Vaughan have added both to the cast and the music, filling out the sparseness of the New Bees version while maintaining its specificity and non-sentimental quality (I watched a short preview of Chernobyl: the Opera at a Troika Collective fundraiser two weeks ago and was very impressed with the changes I saw).

Troika Collective_BWChernobyl: the Opera will run from May 14 – May 19 in the Carousel Theatre Studio on Granville Island. Tickets for the May 15-19 performances are available online through Brown Paper Tickets.

The May 14 performance will be a pay-what-you-can preview, with all proceeds benefiting the Veronika Children Leukemia Foundation. Following the May 14 performance, Grigori Khaskin, Research Associate in the Biology Department at SFU and a former Chernobyl Liquidator, will be giving a talk.

All in all, Chernobyl: the Opera is an exciting new work from an exciting emerging theatre company. It is not to be missed.

Disclosure: I was a performer in the New Bees iteration of Chernobyl: the Opera. Though I am no longer involved in the project (and not because I was kicked out or anything scandalous, just boring time issues), many members of the Troika Collective are my friends. Friends or not, Chernobyl: the Opera is a damn good show by a company that has earned my respect and support.